Past Recipients

Ka-Man Tse

2014 - 2015

Ka-Man Tse receives the Robert Giard Fellowship grant of $7,500 for her project: Portraits and Narratives of LGBTQ Asians and Asian-Americans in the U.S. and Hong Kong. The funds will allow her to travel to her native Hong Kong to continue her photographic project there.

Ms. Tse described this project as part of her life-long investigation of community and human agency. Collaborating with her subjects in public spaces, she captures moments observed and imagined, choreographed and improvised, personal and public. She said, “Visibility, representation and community are driving forces in my artwork. Mixing queer narratives, personal memories and obsessions, storytelling and portraiture, I recast these elements in order to recast the world. It is important that the narratives unfold in public spaces, for visibility—as well as for that tension of occupying the landscape and sharing these stories with a world and a public.”

Ka-Man Tse is a New York based photographer and video artist. She received an MFA from Yale School of Art in 2009, and a BA from Bard College in 2003. She has exhibited at the Museum of Chinese in America in New York, NY, The Bronx Museum of Arts, Cornell University, Capricious, the Philadelphia Photo Arts Center, Gallery 339 in Philadelphia, and the Eighth Veil in Los Angeles. Recently she was a SPARC Artist-in-Residence through the New York City Department of Cultural Affairs. Ms. Tse was appointed lecturer in photography at Yale in 2013.

Carmen Oquendo-Villar

2013 - 2014

Ms. Oquendo-Villar receives The Robert Giard Fellowship grant of $7,500 for her documentary film Diana de Santa Fe, to allow her to prepare for the principal photography stage of her project, enabling her to recruit a film crew with experience shooting quality footage in precarious situations such as conflict/war zones. 

Ms. Oquendo-Villar’s documentary, Diana de Santa Fe, follows Diana Navarro, a transgender sex worker in Colombia, working in Santa Fe, a barrio close to Bogota’s financial district. Santa Fe was declared a ‘tolerance zone’ in 2002 by the city government where sex work is tolerated.  The film examines Diana’s daily life as a sex worker in a violence-ridden neighborhood of Bogota with its own rules and laws. Instead of just fending for herself, Diana has instead reached out to the other sex workers in need, in effect becoming a leader and caregiver in her community, and abandoning sex work as her primary source of income. The film will follow the process though which Diana transforms her home in Santa Fe into a center for battered and injured sex workers.

On receiving the fellowship Ms. Oquendo-Villar said, “It is a great honor to be selected this year’s Robert Giard Fellow. Like Mr. Giard, who came later in life to photography, my journey to becoming a filmmaker also comes later in my life. Because of this, I feel an urgency to my work and telling stories rarely told—stories I believe Mr. Giard would also feel are extremely important.  I am drawn to dramatize these stories in a humane, yet complex, manner. Over the past 8 years, I have explored race, gender, and sexuality through documentary portraits of the Latino transgender community (Boquita, Mizery, The Needle and Camil). Now, I have embarked on telling the story of an entire neighborhood, Santa Fe, having Diana Navarro, a transgender, Afro-Colombian sex worker and advocate, as its guiding figure. With the support of the John Simon Guggenheim Memorial Foundation, the Fulbright and Encuentros Cartagena (Festival Internacional de Cartagena de Indias), I have been able to complete the research stage and shoot preliminary footage.”

Carl Sylvestre, President of The Robert Giard Foundation, said “Carmen Oquendo-Villar’s projects are as bold as they are creative.  She allows us to spend time with marginalized individuals whose stories are seldom told.  This latest project promises to result in a daring film, and we are pleased to support its completion with the largest fellowship devoted to art centered on sexuality, gender, and issues of LGBTQ experience.”

Cary Cronenwett


Cary Treadwell Cronenwett received the 2009 Bay Area Guardian Goldie Award for Local Discovery after the release of his film, Maggots and Men (55min). His first short film,Phineas Slipped (2002) played extensively in the international LGBT film festival circuit. Currently, he is pursuing an MFA in the Film/Video program at CalArts in Los Angeles, but is on exchange at Universität der Künst in Berlin. He is in post-production on a documentary/ fiction hybrid set in Haiti, which is loosely based on the novel, Kathy Goes to Haiti, by Kathy Acker.

“The Giard Foundation grant is going to enable me to finish this project. It is such a huge honor to receive this grant. Specifically, the grant will enable me to hire an editor. Because this project is so emotional for me, I believe that bringing on another editor to work with on the project is absolutely essential. It is impossible for me to have any emotional distance from the project. Editing so far has been really difficult and slow moving. Another editor won’t have the same relationship to the material and will be able to work more efficiently, and I feel like it’s time to get this thing done.”

“I am continuing to revise the narration for Go with Flo and at the same time, solidifying the narrative structure. The piece is still very rough. I plan to begin working with an editor on the project in the very new future.”

“Born and raised in Oklahoma, I have spent my adult life on the west coast. I came to filmmaking with a background in organizing both as a political activist and as a musician involved in a DIY/punk scene, and I bring a similar ethos onto the set to create a collaborative, process based approach to film making. As a queer, transgender filmmaker, I am interested in pushing boundaries, creating cultural spaces, and I see my art practice as a counterpart to activism for social change.”

-Cary Cronenwett

See the press release here.

Yoruba Richen


“It is a great honor for me to receive this fellowship.  I’m so excited that the Giard Foundation has given me funding enabling me to work on this film which deals with civil rights issues that are being so hotly debated right now. And it is gratifying to know that the Foundation recognizes the importance of cultivating greater diversity in the voices on LGBT issues, particularly in this time of cutting public funding for the arts.”
- Yoruba Richen

The New Black, a documentary about how the African American Christian church is grappling with gay rights issues in light of the gay rights movement and the fight over marriage equality.  It aired on PBS in June 2014.  After receiving the Robert Giard Fellowship, Yoruba Richen was awarded support from the Ford Foundation, Jerome Foundation, the Sundance Documentary Fund, the 2012 Creative Promise Award at the Tribeca Film Festival, and a Guggenheim Fellowship.

Molly Landreth and Amelia Tovey


The American-Australian team of Landreth and Tovey won for their project Embodiment:  A Portrait of Queer Life in America, a photographic and video-based survey of the American GLBTQ community.

Embodiment profiles individuals from urban and rural areas across America.  Its stories are told though large-format color portraits and engaging 8-minute “video portraits” comprised of interviews, performance, and story telling by each participant, culminating in a multi-media, multi-platform interactive website, an Internet archive of queer life today with a glimpse of what may be in store tomorrow.

Sonali Gulati


Sonali Gulati was awarded a fellowship to complete a short personal and revealing documentary film, I am, a portrait of four different families in South Asia dealing with having a gay or lesbian child. Ms. Gulati writes:

In India, the second most populated country in the world with over one billion people, the subject of homosexuality remains ignored, silenced, and even invisible ... a “homosexual relationship” is considered a criminal offence, [legally] punishable by up to ten years of imprisonment ... As a filmmaker, my personal narrative of leading a closeted life while growing up in India and my inability to come out to my mother serves as the primary structural framework to weave together stories of four individual families. With courage, determination, and humor, these families share untold stories ... As one parent says in the film, “If parents stand up and support and accept their gay children, then no one can say anything, no one.”

You can learn more about the film here.

The three finalists for the 2009-2010 Fellowship


Angela Jimenez, for her photography project, womyn’s land, that grows out of six years of photojournalism on the Michigan Womyn’s Music Festival. Zanele Muholi, for her photographic memory art project, Ukukhumbula (a Zulu word meaning “to remember”), which aims to commemorate and preserve the life and histories of black lesbians in South Africa and beyond. Madeline Olnek, for her short film, Neurosis is a Pre-Emptive Behavior, part of an ongoing project of shorts that look at lesbians and gays in therapy.